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What more can I possibly tell you than you already know about Dame Agatha Christie, the undisputed Queen of Crime and creator of Hercule Poirot, Miss Marple, and the world’s longest-running play, “Mousetrap.” Hmm, perhaps you didn’t know that this best-selling fiction writer of all time with more than two billion novels sold (trailing only the Bible and the works of William Shakespeare) loved surfing? That was news to me, so I took it as a suggestion on how to find a favorite among her more than 150 short stories. I went surfing through her work and came up with this Poirot and Captain Hastings gem that’s celebrating its one-hundredth anniversary.


The widow of a famous Egyptologist asks Poirot to journey to the excavation site of a Pharaoh’s tomb where her husband died by heart attack, the wealthy backer of the dig died from blood poisoning, and from which the backer’s nephew left for New York only to commit suicide soon after arriving there. The widow fears for the life of her son, who intends to continue his father’s work. Poirot cables New York for information on the nephew and leaves for the dig. By the time he and Hastings arrive, another American has died, this one from tetanus, and talk of an Egyptian Curse fills the papers. Tension builds as Poirot suddenly begins choking on the tea he’s been served. It’s a tour de force example of how Christie’s least likely characters so often turn out to be the guilty and of Poirot’s penchant for gathering the guilty together for their unmasking
What more can I possibly tell you than you already know about Dame Agatha Christie, the undisputed Queen of Crime and creator of Hercule Poirot, Miss Marple, and the world’s longest-running play, “Mousetrap.” Hmm, perhaps you didn’t know that this best-selling fiction writer of all time with more than two billion novels sold (trailing only the Bible and the works of William Shakespeare) loved surfing? That was news to me, so I took it as a suggestion on how to find a favorite among her more than 150 short stories. I went surfing through her work and came up with this Poirot and Captain Hastings gem that’s celebrating its one-hundredth anniversary. The widow of a famous Egyptologist asks Poirot to journey to the excavation site of a Pharaoh’s tomb where her husband died by heart attack, the wealthy backer of the dig died from blood poisoning, and from which the backer’s nephew left for New York only to commit suicide soon after arriving there. The widow fears for the life of her son, who intends to continue his father’s work. Poirot cables New York for information on the nephew and leaves for the dig. By the time he and Hastings arrive, another American has died, this one from tetanus, and talk of an Egyptian Curse fills the papers. Tension builds as Poirot suddenly begins choking on the tea he’s been served. It’s a tour de force example of how Christie’s least likely characters so often turn out to be the guilty and of Poirot’s penchant for gathering the guilty together for their unmasking
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